A&M Records Highlights: Housekeeping

Revisiting A&M Records No. 27
Various artists: ‘Million Dollar Sound Sampler’ (Nov ’67)
Herb Alpert & the Tijuana Brass: ‘Herb Alpert’s Ninth’ (Dec ’67)

This is somewhat a housekeeping post as we near the end of the most crucial year yet in my more-or-less chronological look at A&M’s history. Certainly won’t be the last time we encounter Mr. A as a recording artist or take stock of these assortments his label compiled to entice buyers, but both topics have been addressed in previous installments.

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A&M Records Highlights: Family Portrait

Initially I’d planned for this lengthy look back at A&M Records to be a series of twofers, the better to coincide with #VinylTwosDays, a weekly scene I’m always happy to join. But as I started sorting through titles and structuring future installments, it quickly occurred to me that not everything will pair up so pleasingly.

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A&M Records Highlights: Tijuana Brass

I know what at least four or five of you are likely muttering to yourselves right now: ‘Man oh man, is she ever gonna stop with these damn Tijuana Brass albums?!? It’ll be Christmas 2024 by the time this #TuesdaysWithJerry series finally gets to the Police!’

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A&M Records Highlights: Herb Alpert & the Tijuana Brass

Hate sounding like skipping wax when I yet again insist I’m as eager as anyone to hurl my #TuesdaysWithJerry survey of A&M Records firmly into the era of Cat Stevens and Peter Frampton, to say nothing of the Police and Squeeze and scads more who arrived toward the end of that decade.

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A&M Records Highlights: Joe Cocker

If you’re just joining this ongoing journey through the decades-deep A&M Records catalog — my way of memorializing that label’s late great co-founder Jerry Moss, who died in August at 88 — let me bring you up to speed.

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A&M Records Highlights: Herb Alpert

You might understandably wonder why I didn’t start my #TuesdaysWithJerry series saluting the late great Jerry Moss with this (or any) twofer from his A&M partner Herb Alpert and his long-running outfit the Tijuana Brass Band. After all, it was Alpert’s desire to release albums independently that led to the label’s formation in ‘62 with the emergence of his surprise hit ‘The Lonely Bull.’

How can any survey of A&M’s past begin anywhere else?

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