Is this the last great Fleetwood Mac album or would that be the one before this, or even the one before that?
Christine McVie
Christine McVie Deep Dive: Bonnie Raitt’s ‘Nine Lives’
All things considered — including her then-label’s rejection of an earlier version, a three-year delay and overhaul, virtually zero promotional support for a hodgepodge that would mark the end of her tenure at Warner Bros. — this is still a fairly solid Bonnie Raitt album.
Christine McVie Deep Dive: Todd Sharp’s ‘Who Am I’
By now this sort of passed-over obscurity ought to be an unsurprising discovery to anyone still following my extensive peer into every facet of Christine McVie’s discography.
Danny Douma, Robbie Patton, Billy Burnette — these largely forgotten singer-songwriters all crossed her path at some point too, and in most cases wound up sharing credits on McVie hits. So it is with this fellow, Todd Sharp, who’d been lingering on the fringe of Fleetwood Mac circles since his time playing in Bob Welch’s band and contributing to Mick Fleetwood’s Zoo.
Christine McVie Deep Dive: Billy Burnette’s ‘Try Me’
We encountered this well-coiffured scion earlier in my fathoms-deep dive into the discography of the late great Christine McVie.
Billy Burnette — son of Dorsey, nephew of Johnny, heir to their rockabilly bona fides since he was a child star touring with Brenda Lee — first entered the Macverse back in ’83 as a creature in Mick Fleetwood’s Zoo. For the oft-overlooked detour ‘I’m Not Me’ (see previous post) he provided plenty of fretwork and sang four numbers: the title track, a Beach Boys obscurity, his dad’s ditty ‘Tear It Up’ and his own tune, ‘Gimme You.’
Christine McVie Deep Dive: ‘The Many Faces Of Fleetwood Mac’
This is an absurdly arranged bootleg compilation from 2019 that would require at least two more LPs to do justice to its misleading title. Yet it’s an almost essential addition if someone (like me) is attempting to acquire on vinyl every recording involving Christine McVie.
The problem is that most of the Many Faces presented in the set’s first half are relatively inconsequential when it comes to Fleetwood Mac’s lengthy list of lineups.
Christine McVie Deep Dive: Self-titled solo album No. 2
Finally, 14 years later, a second solo album!
And what can be most quickly discerned from even a cursory spin? That at this point, late January ’84, Christine McVie had become such a reliably strong songwriter that she’d fully established a signature style as recognizable as Elton John’s.
Christine McVie Deep Dive: Ian McCorkle’s ‘McCriminal’
Time once more to play the vinyl community’s favorite new game, Who Among Us Remembers This Guy?
Full disclosure: I sure as hell don’t.
And I haven’t found out much about him, either.
Christine McVie Deep Dive: Mick Fleetwood’s ‘I’m Not Me’
Lindsey Buckingham and Stevie Nicks weren’t the only ones from Fleetwood Mac to pursue solo ventures after the Tusk tour of ’79-’80 ended acrimoniously (again). The front half of the group’s namesake did likewise, releasing his noble failure The Visitor in June ’81.
Christine McVie Deep Dive: Robbie Patton’s ‘Orders from Headquarters’
I get why Robbie Patton didn’t make it big, though I also see why so many in his orbit really thought he would — not just Atlantic Records execs looking for a new star but particularly Christine McVie, who sings on (but did not produce, as erroneously stated elsewhere*) this third album of his after co-helming his second.
Christine McVie Deep Dive: Randy Newman’s ‘Trouble in Paradise’
This is a very fine Randy Newman record, perhaps not among his all-time greatest (that’s a tall order) yet teeming with cleverly caustic commentaries that rank among his best.
My mom got the cassette soon after it arrived in January ‘83 and it remained a constant for months, until I had every line of it memorized by the time she took me to see Newman live for the first time that April at Universal, when I was 14.