Revisiting A&M Records No. 34
Claudine Longet: ‘Love Is Blue’ (April ’68, possibly earlier)
Say this much for that ingenue de chanson then equally known as Mrs. Andy Williams: back in the ‘60s she had exquisite taste. Or, at least, the men (entirely men) shaping her sound and style did, though I can’t fathom even such a lightweight artist agreeing to sing just anything placed before her.
You tell me: should a collector be absolutely precise and file this under N for ‘National Lampoon’s Animal House’ or ease up on being so exact and stick it under A for how it’s commonly known?
All things considered — including her then-label’s rejection of an earlier version, a three-year delay and overhaul, virtually zero promotional support for a hodgepodge that would mark the end of her tenure at Warner Bros. — this is still a fairly solid Bonnie Raitt album.
For this 38th (!) splash within my deep dive into Christine McVie’s complete catalog, only one song from the soundtrack to Blake Edwards’s largely forgotten comedy A Fine Mess matters: her straightforward yet lovely cover of the Elvis Presley classic ‘Can’t Help Falling in Love.’
By now this sort of passed-over obscurity ought to be an unsurprising discovery to anyone still following my extensive peer into every facet of Christine McVie’s discography.
Danny Douma, Robbie Patton, Billy Burnette — these largely forgotten singer-songwriters all crossed her path at some point too, and in most cases wound up sharing credits on McVie hits. So it is with this fellow, Todd Sharp, who’d been lingering on the fringe of Fleetwood Mac circles since his time playing in Bob Welch’s band and contributing to Mick Fleetwood’s Zoo.
Revisiting A&M Records No. 32
‘Liza Minnelli’ (February ’68)
Despite its self-titling, this is far from the debut of Judy’s daughter. By the time she was about to turn 22 and relaunch her recording career via the auspices of Mr. A & Mr. M, Minnelli had already issued three LPs for Capitol Records, starting with ‘Liza! Liza!’ in ’64, the same year she embarked on her first national theatrical run as Luisa in the touring production of ‘The Fantasticks.’
But the reality remained that after four years of working her young tail off — including landing the lead in ‘Flora the Red Menace,’ her Broadway debut — Liza was still struggling to step out from her mother’s formidable shadow.
The alphabetically-derived timing of this entry in my Sunday Soundtrack series couldn’t be more fortuitous, what with the imminent release of the biopic ‘Back to Black’ here in the States a month after it opened in the UK. I’ll see the flick no matter what, though thus far it’s received middling reviews.
Revisiting A&M Records No. 31
‘Roger Nichols & the Small Circle of Friends’ (January* ’68)
Ever since the year began and this chronological reexamination deepened almost bottomlessly, this enchanting obscurity has become my white whale, my new holy grail — which is my way of admitting that this photo is doctored.
We encountered this well-coiffured scion earlier in my fathoms-deep dive into the discography of the late great Christine McVie.
Billy Burnette — son of Dorsey, nephew of Johnny, heir to their rockabilly bona fides since he was a child star touring with Brenda Lee — first entered the Macverse back in ’83 as a creature in Mick Fleetwood’s Zoo. For the oft-overlooked detour ‘I’m Not Me’ (see previous post) he provided plenty of fretwork and sang four numbers: the title track, a Beach Boys obscurity, his dad’s ditty ‘Tear It Up’ and his own tune, ‘Gimme You.’
